Laoruna Waize

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
demilypyro
demilypyro

I gained over a hundred followers in the last two hours and try as I might I cant find any bots. WHO ARE YOU PEOPLE

demilypyro

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WELCOME TO TUMBLR MAY I TAKE YOUR ORDER. YES I AM THE TRANSGENDER TUMBLR VTUBER I’M SORRY FOR EXISTING

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cocoa1137

Always happy to see your posts!

demilypyro

THANK YOU

windex-for-blood

*Dr. Tran narrator voice*

SHES GOT A FACTORY FRESH COOCHIE!

HER VTUBE RIG HAS BOUNCY HAIR!

SHE FED THE ORPHAN OF KOS HIS OWN ASS!

unfortunatpanda

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natalieironside
natalieironside

Please don't buy me check marks

Hi, I'm award-winning queer speculative fiction author Natalie H. Ironside and this is my "blog" where I talk about history, mythology, fantasy, occultism, and, of course, writing.

I'm trans of gender, ace of sexual, and I'm an anarchist author of dark fantasy and dark science fiction, usually with lots of queer characters and cinematic action violence. Most of my stuff explores themes of trauma, recovery, mental illness, and life in the American South (though I also write trad fantasy and space operas from time to time), with a healthy dose of monsters, magic, and women with big guns. I'm a member of the Horror Writers Association and the IWW Freelance Journalists Union and my job is reminding you to pay your union dues.

You might have heard my short story The Wishing Tree on the Tales to Terrify podcast! Other stuff I've published to date includes:

THE LAST GIRL SCOUT: A post-apocalyptic wasteland adventure story and transbian romance about two women who fall in lesbians together and fight Nazis and draculas in the bombed-out ruins of Old America

LEAD AND ROSES: LOVE SONGS AT THE END OF THE WORLD: A collection of short fiction set within 23rd-century post-nuclear wasteland we've all come to know and love

IN THE COURT OF THE NAMELESS QUEEN: A collection of dark fantasy f/f erotica about sexy swashbuckling swordswomen (both cis and normal) and a giant scary monster lady in a far-off realm of adventure and dark magic.

I also post short fiction, poetry, fun extras, and regular serials on my Patreon! And I can be found on Twitter and Fedbook.

"Award-winning author Natalie H. Ironside," I hear you say, "I know that you're a disabled and chronically underemployed transsexual and a cool mom trying to feed your fun little queer family and keep a roof over your head; how can I support you?" I'm glad you asked! The best way is to buy my books or subscribe to my Patreon (it's only $2, you know you want to), but I also have an Amazon wish list that I put important household supplies and reference materials I need for my work on, along with fun stuff I think I deserve because I'm special; if you buy something off of it, slide into my DMs and I'll send you some ebooks. Also, red-card-carrying members of the IWW can request all of my books free of charge.

Good hunting, stalkers!

prismatic-bell
storywonker:
“libraryogre:
“stratfender:
“this is like how people always say “oh this would kill a medieval peasant” girl you strongly underestimate the resilience of these fuckers. they would embrace your challenge with love and curiosity
”
And its...
stratfender

this is like how people always say “oh this would kill a medieval peasant” girl you strongly underestimate the resilience of these fuckers. they would embrace your challenge with love and curiosity

libraryogre

And its not like gay sprang from the Feywild, fully formed, in 1968. There is a non-zero chance that Goodman John is gonna say “You meam there are people who CELEBRATE that they gargle cock? Wrap me in this strange fabric, for I, too, van be PROUD!”

storywonker

“It is, of course, impossible to know whether a large proportion of the English population were sodomising each other while the law simply turned a blind eye.”

Tim Hitchcock, English Sexualities, 1700-1800, Macmillan Press, page 63

thefingerfuckingfemalefury
espanolbot2

I've no real interest in seeing Elemental, but apparently it is good but was underserved by Disney's marketing department. Where instead of focusing on how it's a story about a second generation immigrant woman wanting to respect the challenges their family undertook to establish a new life in a city that wasn't built with them in mind, while also wanting to go and establish a new life for themselves rather than inheriting the family business and staying in one place (and getting a boyfriend from outside of the community whom her dad disapproves of due to not very subtle racism reasons), they decided to focus on the visuals and the inevitable comparisons to Zootopia.

Oddly similar to Nimona's original situation before getting picked up by Netflix, in that as a lgbtq-focused movie Disney reportedly canned it (allegedly) they weren't able to market it to as many folk as generically as possible. But while Nimona had to be rescued by another studio, a big chunk of Elemental's plot "had" to be glossed over in by the marketing team with the supposed goal of making it appeal to EVERYONE, rather than focusing on the specific story it was trying to tell that'd still be relevant to a good sized chunk of the audience the same way similar themes in Turning Red were.

thefingerfuckingfemalefury

Trying to appeal to everyone is something morons and cowards do

I don’t want stories that are “For everyone” because art that is “For everyone” is garbage. It’s shit. It’s spineless bullshit that’s so whitebread even Ned Flanders would be bored by it

Stories need to be about something and be for someone.

Otherwise you might as well just let an AI write them

minakittengaming

Absolutely. Stories should be written with purpose, and with an audience in mind. Not to mention, it's important to have stories that one might not particular connect with fundamentally, because as humans we are wonderfully diverse and it's good to celebrate that with perspectives we might not have previously considered. I like stories "not about me" just as much as stories intended for my self-identity things.

The article is a little funny though, inasmuch as it's focusing on "Disney telling stories that only perform 'pretty good' instead of Exceptional". It's wild that we're writing under the framework of an animation studio "establishing dominance" and who's "on top". Honestly, if more studios get to share the spotlight to tell different stories, that's ultimately a better outcome.

thefingerfuckingfemalefury

THIS

Like

People who are normal and not bigots can still enjoy stories that aren’t specifically made for them.